Is there such a thing as Australian jazz, or is there
just jazz which is made in Australia? Why does that distinction matter?
In attempting to examine
these questions the intent is not to bullishly trumpet national cultural
triumphs, but to document the intriguing implications of one of the richest
seams of creativity in the land. Trying to pin down what it is that makes
Australian jazz Australian, may be as fruitless as trying to describe the wind:
ultimately you can just hear it and feel it. There is no single musician you
can point to and say, ‘That’s what Australian jazz sounds like’. (John Shand)
Australia has spawned
many extremely original practitioners who have pursued their own nuances and
developments in the music. The result is that, despite a hostile environment on
a host of levels, Australia has become a creative centre of jazz, rivalling the
Scandinavian and Western European countries that have steadily diluted New
York’s pre-eminence over the last three decades.
Many of the leading
"Australian" jazz were the renowned pianist-composers Mike Nock, Dave
MacRae and Judy Bailey, drummer Barry Woodsand and vocalist Ricky May.
Sources:
-Shand, John. Jazz : The Australian Accent
-Wikipedia
-Shand, John. Jazz : The Australian Accent
-Wikipedia
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